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It’s why on Hoodie SZN’s “4 Min Convo,” A Boogie says, “I hear too much me in niggas’ songs, so I had to switch it up.” Thankfully, A Boogie never really does switch it up-the last time he did he released his straining, pop-crossover dud International Artist-and the album’s best moments come when the Bronx songbird embraces his signature style.
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The Bronx’s Lil Tjay, Brooklyn’s Jay Gwuapo, and Long Island’s Lil Tecca, are three emerging New York stars and collectively they have all found inspiration in the vocals of A Boogie. Over the last two years, the bright melody and AutoTune flow of A Boogie- that Lil B famously compared to Dej Loaf’s-has become a New York staple. Because despite Hoodie SZN’s 20 songs facing the typical bloated-album problems like pacing issues and forced collaborations, through it all, A Boogie hardly ever loses his Bronx edge. But it’s all part of what has made A Boogie one of New York’s most essential- and most popular-artists.
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When A Boogie drops in one of his petty, lovestruck tracks on his latest album Hoodie SZN, the quotables could double as a teen in 2008’s AIM away message sent from a T-Mobile Sidekick when he gets violent, he makes me think that the melodic and stick-talking Tim Vocals has been spiritually resurrected. Likewise, the 23-year-old Bronx rapper A Boogie Wit da Hoodie feels like he belongs in a long-gone era. In New York, time moves at its own pace: Facebook is still the social media of choice, CDs are still handed out on the street, and radio DJs still have the power to break a song.